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Home arrow Arts arrow Music arrow Guiding Leicht
Guiding Leicht PDF Print E-mail
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Written by Lori Donovan   

ImageWXPN's Helen Leicht celebrates 30 years in radio and the XPoNential power of Philly Local Musicians.

More than half a century ago, a controversial movement began on the streets of Philadelphia. Young men were gathering on street corners, raising their voices with a sound that raised concerns from their parents and made teenage girls swoon. Do-Wop, a predecessor to rhythm and blues, soul and rock and roll, was born here. And, in 1951, Philadelphia-based radio stations and their legendary disc jockeys became pied pipers in a new era of music. 

As the second largest metropolitan area on the northeast coast, it’s no surprise that Philadelphia had a hand in forging the country’s musical trends. Area disc jockeys were instrumental in introducing audiences to the new sound and propelling local Philly artists into the national spotlight.

More than fifty years later, the music has changed, but the mission is still the same. While most commercial radio stations follow national trends and Billboard charts, it’s the public stations that have taken up the gauntlet of promoting local music to the masses.

No one does this better than Hellen LeichtHelen Leicht. Celebrating her 30th year as a Philadelphia disc jockey, Leicht has been responsible for introducing listeners to the music of artists like Tom Petty, The Cars and Elvis Costello. As the host of “Leicht Lunch” and “Breakfast with the Beatles,” she became a local on-air celebrity. But it wasn’t until she joined WXPN in 1990, that Leicht became the local musician’s best friend.

“We were playing indie projects already,” says Leicht, “so I asked [the station’s (cont’d) former program director] Mike Morrison if there was any reason we couldn’t invite local artists to send in their music.”

Morrison didn’t want to be inundated with tapes from basement bands and wannabe rock stars, but if Leicht was willing to sift through the submissions herself, then he couldn’t complain. Fortunately, Leicht has both patience and a great ear. The result has been astounding for both the audience and the performers.

It was in these early days that bands like The Innocence Mission were discovered and songwriters like Ben Arnold first heard their work aired. “They might not have gone on to be U2, but artists have come out of this that are amazing session musicians, or songwriters who make their way to Nashville and get covered,” says Leicht. “These people that I’ve been playing all these years, they’re true working musicians. They make their living doing what they love.”

Since that time, Helen Leicht has been a tireless supporter of the local underdog and her efforts have spawned the Philly Local show (Tuesdays at 9p.m.), an Emerging Artists Program (which she heads), and countless performances by local artists as both opening acts and headliners at Philadelphia music venues like World Café Live, The Tin Angel and the Kimmel Center.

One of Leicht and WXPN’s biggest success stories is their relationship with folk/soul singer Amos Lee. A transport to Philadelphia from South Carolina, the elementary school teacher turned songwriter was a regular visitor on the air at WXPN. He quickly became a local favorite and other independent stations across the country took notice as well. Lee gained opening act status for industry heavy-hitters like Norah Jones and Bob Dylan and this past October he released his sophomore CD, Supply and Demand to critical acclaim.

Leicht is reluctant to take any credit, but admits, “It feels good to know that I worked at a station that would allow me to believe in somebody and give them the opportunity to be on the air. You need that microphone. You need to be able to give some people a voice.”

Lee was so grateful for the help of WXPN that he included the station in Supply and Demand’s liner notes. “Any member who would buy this CD and see that he thanked [the station], I think they would be proud of that whole circle,” says Leicht.

The circle doesn’t stop with the station’s member/listeners. Amos Lee’s success has also benefited others. He called on Philadelphia singer/songwriter Mutlu to open many of his 2006 tour dates across the country, later produced Mutlu’s EP, and continues to stay involved in Philadelphia community projects. “It’s that greater group of people looking out for the other people,” says Leicht. “That’s when you can make some difference. That’s when you can call them up and say ‘I have this Musicians On Call program’ and there’s not even a question.”

Perhaps the most significant way Philly Local musicians can give back to their community, Musicians On Call (MOC) is a service providing live musical performances to patients in area hospitals. An offshoot of the organization that got its start in New York, MOC has become a veritable Who’s Who of Philadelphia talent. As usual, it wasHelen Leicht Leicht who spearheaded the initiative.

After a visit to a New York Hospital in 1999, Leicht was hooked. “We would watch these kids and they would peek around the corners and smile,” she says. “One child’s mother asked the artist to come into her son’s room to play. He wasn’t able to respond [physically], but as the artist began to play you could see him responding through his heart monitor. The mother started to cry. It’s very emotional.”

Feeling certain that the Philly musicians would feel the same, she went back and recruited Mutlu, Jim Boggia and Lauren Hart to be the first to test the program in Philadelphia. The three said yes immediately and Musicians on Call started making regular visits to area hospitals.

Visiting musicians go from room to room, along with a guide who clears each visit with nurses, visitors, patients and parents. “Not everyone can do it,” says Leicht. “Not everyone can go visit a hospital, let alone entertain.” Each performer must be versatile enough to sing songs that appeal to the general public and especially to the youngest patients. Songwriters forgo their egos in favor of performances of the “SpongeBob SquarePants” theme or the Beatle’s “Yellow Submarine”.

“Amos and I actually went together on one visit,” says singer/songwriter Mutlu. “There was this guy, who had been pretty ill but was now a few days from leaving [the hospital]. We stopped in and sang “Lovely Day” by Bill Withers for him and he started to cry. The way that song impacted him, made us realize how important it is, what we’re doing.”

The Musicians On Call roster grows larger each year, with more and more local artists eager to perform for deserving audiences. Those who are unable to make individual visits contribute in other ways, donating their music to hospitals’ “CD Pharmacy” or performing at benefit concerts keep the program alive.

One such show will take place on Wednesday, December 20th. Philadelphia Bands Together: WXPN Musicians On Call Benefit Concert will be held at World Café Live and feature a host of singer/songwriters and local bands. It’s an opportunity to give back and to visit with their contemporaries in the local scene. “They’re all in for the right reason,” says Leicht. “They hang out with each other. There’s music the whole time and a great camaraderie.”

When it comes to the Philadelphia music scene,Helen Leicht and WXPN are changing the landscape XPoNentially. “The whole local emphasis, allows me, hopefully, to help musicians be heard and involved in the community,” says Leicht.
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