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Valentin Radu and Vox Ama Deus:
In the twisted, labyrinthine backstage of the Kimmel Center, Valentin Radu, Romanian-born conductor, founder and creative guiding light of Vox Ama Deus, has shocked his ensemble of musicians and vocalists. |
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The Riverside Symphonia brings unexpected musical excellence to both sides of the Delaware
John-Michael Caprio’s vision became a reality in 1990 at St. John the Evangelist’s Roman Catholic Church in Lambertville, N.J. The late Caprio, who was the esteemed director of music for the Archdiocese of New York City and had led scores of performances at St. Patrick’s Cathedral, felt that the region on either side of the Delaware River as it flows past Bucks and Hunterdon counties needed a classical music ensemble that would complement the rich arts heritage of the New Hope and Lambertville areas. |
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Ignat Solzhenitsyn’s Stellar Career’s Focus in Philadelphia
Ignat Solzhenitsyn remembers his first piano – in fact he still has it. The instrument itself is a dark brown baby grand Sohmer. It came with the farmhouse in Vermont to which his family moved 1976, two years after his father, Russian Nobel Prize-winning author Aleksandr Solzhenitsyn was exiled from the Soviet Union. |
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World class musical training and performance at the Curtis At the corner of 18th and Locust streets in Center City Philadelphia stands an imposing Romanesque building that suitably punctuates the architectural elegance of Rittenhouse Square. During the day, or sometimes in the evening, it is not uncommon to hear sounds emerge from its open windows - operatic voices climbing the scales or violins soldiering through Bach or Mozart. |
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With its sumptuous shocks of red velvet, seemingly endless tiers of
balconies, and a five thousand pound crystal chandelier fifty feet in
circumference, the Academy of Music, which celebrates its 150th
anniversary this year, is—to be succinct—extravagant. But all this
aside, the famed opera house has a history that’s incredibly rich.
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Santa Brought Me Cats makes the purrfect edition to traditional holiday tales.
Animals have never been much of a focus in the traditional tales of
Christmas. Cartoon tales of Nestor the Long-Eared Donkey and Jingle
Bell barking dogs aside, our four-legged friends haven’t really been
given more to do than bray in manger scenes or be scolded for getting
too close to the holiday tree.
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WXPN's Helen Leicht celebrates 30 years in radio and the XPoNential power of Philly Local Musicians.
More than half a century ago, a controversial movement began on the
streets of Philadelphia. Young men were gathering on street corners,
raising their voices with a sound that raised concerns from their
parents and made teenage girls swoon. Do-Wop, a predecessor to rhythm
and blues, soul and rock and roll, was born here. And, in 1951,
Philadelphia-based radio stations and their legendary disc jockeys
became pied pipers in a new era of music.
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Growing up in communist Poland, Mariusz Smolij was groomed by
his educators and his government to be a classical music genius. As
a young man, Smolij left Poland for America where he learned the
art of conducting at the prestigious Eastman School of Music. The
combination of a staunch Eastern European education and the free-form
expression welcomed in America helped Smolij become the
person the American Symphony Orchestra League has called, “one
the country’s most promising young conductors”.
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Inside Arts in Motion’s studio, it sounds like water’s being heated for
tea—a constant, escalating coo, which is actually half a ton of
technology at whirring work. There are computers, speakers, a
projector, a keyboard and, somewhat anachronistically, a piano. Founder
Eric Haeker and DJ Ben Camp are getting ready for their set at this
year’s Bach Festival. The weeklong event, March 16-25, will have few
silent moments. There will be soloists, cantatas, flutes and choirs,
Philadelphia talent—such as celebrated pianist Simone Dinnerstein—and
musicians from abroad, the echo appeal of church locales, and
orchestral performances within the well-planned walls of the Kimmel
Center. Arts in Motion’s performance will last just 25 minutes on the
25th, but it may very well be the loudest, with the help of
microphones, amps and a crowd that could decide, after a minute or two,
to get up and dance.
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